Inscribed Print of actress Mae West.

WEST, Mae [1893-1978]

No place, no date. Original glossy colour print, Deco style, measuring 6 x 4.5 inches''. No date, but probably 1970's. INSCRIBED by subject to lower right hand corner To/ Michael/ from/ Mae West/ (flourish). The recipient is theatre/film mogul Michael J. Cooper of Michaelangelo Organisation Inc., 3571 Berry Drive, Studio City Ca. 91604, and was one of a large number of autographs and letters accumulated during his career. Some minor crazing else in fine condition, in common archival mount. Mary Jane West was born, in Brooklyn, New York, on August 17, 1893 to parents involved in prize-fighting and vaudeville. Mae, herself, worked on the stage and in vaudeville from the time she was five years old. She never was academically inclined because she was too busy performing. She studied dance as a child and by the time she was 14, she was billed as "The Baby Vamp" for her performances on stage. Later Mae began writing her own plays. One of those plays, entitled SEX, landed her in jail for ten days on obscenity charges in 1926. Two years later her play, DIAMOND LIL, became a huge Broadway success. Mae caught the attention of the Hollywood moguls and was given her first movie role with George Raft in 1932's NIGHT AFTER NIGHT. Although a small role, she was able to display a wit that was to make her world famous. Raft, himself, said of Mae, "She stole everything but the cameras." The movie going public fell in love with the first woman to make racy comments on film. She became a box-office smash hit breaking all sorts of attendance records. Her second film, SHE DONE HIM WRONG (1933), was based on her earlier and popular play that she had written herself. The film was nominated for an Academy Award as Best Picture. It also made Cary Grant a star. Her third film later that year was I'M NO ANGEL. These two films resulted in the Motion Picture Production Code which regulated what content could be shown or said in pictures. As a result of these codes, Mae began to double talk so that a person could take a word or phrase anyway they wished. This was so she could get her material past the censors. It worked. She really felt she had a vested interest because it was her written work being scrutinized. She had already written and performed these for the stage with the very material now being filmed. Her next film, BELLE OF THE NINETIES made in 1934 was an equal hit. By 1936, with the films, KLONDIKE ANNIE and GO WEST YOUNG MAN, made her, at that time, the highest paid woman in the US. After the 1937 film, EVERYDAY'S A HOLIDAY, she didn't make another film until 1940, when she co-starred with W.C. Fields in another Mae West written movie, MY LITTLE CHICKADEE. It was well known she had little use for Field and his crude ways, even for her. After THE HEAT'S ON in 1943, Mae took a respite from the film world. The reason was the censors were getting stricter. She decided she would be able to have greater expression in her work if she went back to the stage. Mae continued to be a success there. When censors began to let up, she returned to film work in 1970 in MYRA BRECKINRIDGE. Her last film was in 1978 called SEXTETTE (with former Beatle Ringo Starr!). Mae suffered a series of strokes which finally resulted in her death on November 22, 1980 in Hollywood, California and was buried in New York. She was 87. The actress, who only appeared in 12 films in 46 years, had a powerful impact on us. There was no doubt she was way ahead of her time with her sexual innuendoes and how she made fun of a puritanical society. She did a lot to bring it out of the closet and perhaps we should be grateful for that. Item #57427

Price: £195.00