Los Angeles; Western Lithograph Co. [?] for J.D.Morrison. [July] 1969. FIRST EDITION (and the only separate edition). 500 copies only, privately distributed to concert-goers. Bifolium, 4-page pamphlet, (unpaginated). Pale yellow textured paper, printed in dark green, unbound as issued. Approx. dimensions 9.5 x 6 inches. With Linweave Textra watermark, 'Made in USA'. A near fine copy, with soft vertical fold and annotations to rear from original owner listing the The Doors' opening songs that evening 'Back Door Man / Break on Through / Soul Kitchen.' By one account the theatre floor was littered with these leaflets after the show (Humphreys), so most would have been swept up and thrown out with the garbage; in fact the present copy only escaped as its recipient tossed it in her handbag instead of the floor. Extremely scarce thus. The third of four self-published poetry titles by Jim Morrison [1943-1971], after 'The Lords: Notes on Vision' (April 1969), 'The New Creatures' (April 1969), and followed by 'An American Prayer' (1970), and is his only work that was devoted to a single poem. The edition comprised 'vermutlich 500' copies (Gerstenmeyer), which were handed out at the two performances The Doors gave at the Aquarius Theatre, Hollywood (both 21st July 1969). 'Brian Jones' is a chilling meditation on the recent death of Lewis Brian Hopkin-Jones (Brian Jones) [1942-1969], founder and deposed leader of the Rolling Stones' and the 'first martyr of rock and roll', who, two weeks earlier, had been found dead in his swimming pool at Cotchford Farm, Sussex, former home of A.A.Milne. The circumstances of his death remain one of rock's greatest mysteries. Two years later, aged 27 (the same age as Jones lived to), Morrison himself would become an infamous rock'n'roll fatality. Item #41259
Heinz Gerstenmeyer; The Doors [No.4], Kerry Humphreys; The Doors Collector Magazine 'most fans trashed their gift without even reading it... many who attended confirm that these sheets littered the floor and filled almost every trash bin'. PROVENANCE; Originally the property of Michelle Straubing, attendee and journalist for 'Creem' music magazine.
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