"There is no such thing as a moral or an immoral book. Books are well written, or badly written. "
— Oscar Wilde

Robert Browning (7 May 1812 – 12 December 1889) was an English poet and playwright, whose mastery of the dramatic monologue established his reputation as one of the foremost Victorian poets. His poems are known for their irony, characterization, dark humour, social commentary, historical settings, and challenging vocabulary and syntax.
Early praise for Browning's work was put forth by Dickens, Dante Gabriel Rossetti and Wordsworth; however, his obscure 1840 poem Sordello damaged his reputation as a master poet, and his career took more than a decade to recover. Post-Sordello disaster, Browning's work can be seen to move away from the Shelleyan forms of his early period, and is of a more personal style. In 1846 Browning married the older poet Elizabeth Barrett, who at the time was considerably better known than himself. Their union resulted in one of history's most famous literary marriages. The couple went to live in Italy, which features frequently in his work.
When Browning died in 1889, he was regarded as a sage and philosopher-poet who had made contributions to Victorian social and political discourse through his writing. Unusually for a poet, societies for the study of his work were founded while he was still alive. Such Browning Societies remained common in Britain and the United States until the early 20th century.
See below our stock of Robert Browning First Editions, fine bindings, and signed copies.
London: George Routledge and Sons, n.d. 4to. Publisher's light brown glazed pictorial boards, dark brown cloth spine, green end papers, all edges tinted green. Corners bumped and frayed, extremities rubbed and slightly scuffed; boards dusty. Inner hinges starting; gathering showing at few places. Very good indeed. As Schuster & Engen..... More
London: Smith, Elder and Co., 1872. [Poetry] FIRST EDITION. Small octavo (18 x 12cm), pp.[xii]; 171; [1]. Publisher's brown cloth over bevel edged boards, gilt titles to spine, black double ruling to boards, blue endpapers, untrimmed edges. Scholarly notes in black ink throughout. Endpapers toned, ownership inscription to half title..... More
London: Smith, Elder and Co., 1896. [Poetry] LETTERS FROM THE AUTHOR. In two volumes. Octavo. Bound in publisher's green cloth, with gilt motif to front board and gilt titles to spine; top edge gilt. Portrait frontispieces to both volumes. Accompanied by Robert Browning's dried buttonhole decoration from June '86, preserved..... More
London: Smith, Elder, and Co., 1909. [Poetry] FINELY BOUND BY BICKERS. Two volumes in one. Octavo (20 x 14cm), pp.xvi; 786. With two tissue-guarded frontispiece illustrations of Browning. Blue full morocco to boards, gilt titles and raised bands to spine. Gilt roll-tooled dentelle to turn-ins. Blue endpapers. All edges gilt..... More
London: Smith, Elder & Co., 1897. [Poetry] FORE-EDGE PAINTING. Octavo (19 x 14cm), pp.xvi; 748, pp.viii; 786. Two volumes bound as one. With an engraved portrait of the poet as frontispiece to each volume. Attractively bound in the 'West End' style, in full red crushed morocco, gilt dentelle to turn-ins..... More