London: Jonathan Cape, 1965. FIRST EDITION. Small octavo (18 x 14cm). Publisher's black cloth, gilt endpapers. Illustrated throughout. With Raymond Hawkey-designed 'reversible' book-jacket for work in the field; the pictorial dust-wrapper can be rapidly disguised as a bible. A near fine copy in similar jacket. An unusual piece of Bondiana... More

London: Hodder and Stoughton. 1919. Advance proof copy. 8vo. Publisher's original plain brown wraps, slightly spotted with minor edgewear. Internally clean, unifom light toning to page block. A most unusual and scarce advance proof copy of Mr. Standfast, one of Buchan's scarcer Richard Hannay stories. Protected by a tailor-made brown... More

[Jonathan Cape, London] First Edition Library, Shelton, Connecticut [1953-66] 1980s-90s. 14 vols., small 8vo. Replica volumes in illustrated dust-wrappers. The complete set, all being absolutely fine copies (unopened), in the original pictorial card slip-cases; the entire set apart from the first volume is still preserved in the original shrinkwrap. Complete... More

London: Jonathan Cape, 1956. FIRST EDITION, First Impression, Binding A. Octavo, 257 pp. Publisher's black cloth-effect paper over boards, titled in silver, in pictorial dustwrapper designed by Pat Marriott, housed in a quarter leather clamshell box. An ASSOCIATION COPY, formerly belonging to Sefton Delmer, a fellow intelligence agent, journalist colleague... More

London: Jonathan Cape, 1957. FIRST EDITION, First Impression, Binding A. Publisher's hardback binding in pictorial dustjacket by Richard Chopping, correctly priced at 13/6. A beautiful near fine copy. The book is particularly fresh with bright foil-work and clean page edges. Jacket also crisp and fresh with a trivial amount wear... More

London: Jonathan Cape, 1959. [Spy thriller] FIRST EDITION, FIRST ISSUE, FIRST STATE. Octavo (20 x 13cm), pp.318. Publisher's black cloth-effect paper over boards with 'skull' design stamped to upper; the earliest binding with the extra detail to the skull. With pictorial dust-wrapper designed by Richard Chopping, priced at 15s. Some... More

New York, NY: Perma Books, 1957. FIRST PRINTING. Paperback (17 x 11cm), pp.125; [1] advertisement. Publisher's illustrated card covers, all edges tinted red. Some very light rubbing and a couple of creases to corners otherwise a clean bright copy of a fragile book, housed in a custom-made gilt-titled cloth chemise... More

London: Jonathan Cape, 1954. FIRST EDITION, Second Issue. SIGNED to flyleaf by the late Kenneth Lewis, illustrator of this jacket, with added inscription 'artist to Ian Fleming'. Publisher's black cloth-effect paper-covered boards, titled and decorated in gilt, with original dust-wrapper crediting artist Lewis to the front flap immediately below the... More

London: Jonathan Cape, 1963. FIRST EDITION, SIGNED LIMITED ISSUE. Octavo (195 x 35mm), pp.288. Colour frontispiece of the author by Charles Amherst Villiers. Signed by Ian Fleming to limitation page marked 'presentation' Publisher's quarter vellum over black cloth with gilt titles to spine, top edge gilt, in a original clear... More

New York: McFadden-Bartell Corp. 1964. Magazine format in pictorial paper wraps. Original price: 25 cents. Minor wear to foot of spine, some ink notation to margin of first advert. Near fine. Minor wear to foot of spine, some ink notation to margin of first advert. Near fine. A condensation of... More

London: Jonathan Cape, 1968. [Spy thriller] FIRST EDITION. Octavo (19 x 13cm), pp.255; [1], blank. Illustrated map endpapers. The rarer variant with a dropped quad mark to the date on the copyright page (rather in the same manner as 'The Spy Who Loved Me' variant- see Gilbert). Publisher's hardcovers in... More

London: Queen Anne Press, 2017. SIGNED by the author. Royal quarto (33 x 22cm), with black and white illustrations throughout plus four suites of eight colour plates. Set in Albertina type and printed in two colours. Elegantly bound in full green cloth with black endpapers, gilt lettering and ornament. A.... More